Italian Misuse of Guardianship Laws: The Strange Death of Actor Lando Buzzanca

Lando Buzzanca: A Life Denied - A Briefing Document

Lando Buzzanca ( (Palermo, 25 agosto 1935 – Roma, 18 dicembre 2022))

PODCAST by Google: https://creators.spotify.com/pod/show/mana-bond-limited/episodes/Italy-Misuse-of-Guardianship-Laws-The-Strange-Death-of-Actor-Lando-Buzzanca-e2re02t

Summary

The book, "Lando Buzzanca, amore mio," is a biography of Italian actor Lando Buzzanca written by his partner, Francesca della Valle. It details their relationship, focusing on the legal battles they faced after Buzzanca was placed under a guardianship against his will. The book also explores Buzzanca's extensive career in film and theatre, highlighting his significant contributions to Italian cinema and his personal philosophies. The authors argue that the application of Italy's Law 6/2004, intended to protect vulnerable individuals, was misused in Buzzanca's case, severely impacting his autonomy and well-being. The book concludes with calls for legal reform and a tribute to Buzzanca's life and legacy.

Main Themes:

• Love and Companionship: The document, presented as a biography by Francesca della Valle, Buzzanca’s partner, centers on their relationship and the obstacles they faced. It explores themes of love transcending age, societal prejudice against age gap relationships, and the unwavering support and devotion Francesca showed towards Lando.
• The Right to Self-Determination: The central conflict emerges from the implementation of Law 6/2004, which, according to Francesca, unjustly stripped Lando of his autonomy. This theme delves into the ethical and legal issues surrounding guardianship, particularly the potential for abuse and the violation of fundamental human rights, highlighting the perceived flaws and dangers of the law.
• Artistic Legacy and Personal Integrity: The document celebrates Buzzanca's prolific career and unique comedic style, portraying him as a dedicated artist who remained true to himself despite facing misunderstanding and typecasting. It underscores his human values, generosity, and strong moral compass.

Most Important Ideas/Facts:

• Francesca and Lando's deep love for each other: The text is filled with declarations of love, descriptions of intimate moments, and Francesca’s unwavering commitment to Lando's well-being. Their shared passion for art, culture, and intellectual pursuits forms a strong foundation for their relationship.
• Lando’s placement under guardianship (ADS) and Francesca’s fight against it: The narrative describes the legal process that led to Lando's placement under guardianship, framing it as orchestrated by his sons to control his assets and limit his autonomy. Francesca emerges as a fierce advocate, challenging the ADS’s decisions and the court system through legal and media campaigns.
• Allegations of abuse and neglect within the healthcare system: Francesca presents a damning picture of Lando’s treatment within the RSA, describing him as being denied proper care, isolated from loved ones, and subjected to emotional distress. She alleges that Lando was deliberately portrayed as mentally incapacitated to justify the guardianship.
• Lando's frustration with the restrictions imposed upon him: Quotes like " “T’amo, t’amo, t’amo,” and “Amore mio, basta. Ora usciamo,” reveal Lando’s desire to be with Francesca and his anguish at being confined against his will. His defiance and repeated attempts to assert his autonomy are documented throughout the narrative.
• Support from Professor Tomaselli: The postface by Professor Tomaselli, Lando's trusted physician, lends credibility to Francesca’s claims. He denounces the perceived injustice and condemns the system for failing to protect Lando's rights and well-being.

Key Quotes:

• On their love: "Il mio amore per lui mi travolse e mi convinse che quell’uomo elegante e galante meritasse tutto il mio cuore; il mio amato ne aveva avuto la certezza dal nostro primo incontro: mi ripeteva sempre di aver avuto un colpo di fulmine la cui esistenza neanche credeva possibile." (p.49)
• On Lando's desire to marry: "Quando ci rivedemmo, il 18 luglio, Lando mi disse a gran voce: «Ora basta, ci sposiamo»." (p. 71)
• On the perceived injustice of Law 6/2004: “Volevo smuovere le coscienze e divulgare la triste fine che fanno coloro che sono sottoposti alla legge 6/2004: finire in una RSA”. (p.78)
• On Lando's alleged mistreatment: "Era stato fatto di tutto e di più per non far tornare Lando a casa come desiderava e ora si aggiungeva un’altra domanda alle molteplici che si erano affastellate: perché si trovava a subire un simile calvario? Quale malattia terminale lo teneva a rigor di logica lì? Lando non era solo privato del suo patrimonio, ampiamente depauperato, ma anche della propria vita." (p.115)
• Professor Tomaselli's indictment of the system: "Un Giudice ha scritto nelle sue sentenze: «Si decide la malattia, poi si crea il malato». Terribile. Spesso le tragedie si verificano sotto lo stesso tetto." (p.107)

Conclusion:

This document serves as a passionate plea for justice and a powerful critique of the Italian guardianship system. It raises important questions about individual autonomy, the potential for abuse within legal frameworks, and the ethical responsibility of society to protect vulnerable individuals. While presented from Francesca’s perspective, and therefore inherently subjective, it compels a deeper examination of the issues surrounding guardianship and prompts reflection on the treatment of aging artists and their right to self-determination.

Timeline of Main Events

1935: Gerlando Buzzanca (Lando) is born in Palermo, Sicily.

1940: Lando's family relocates to Mazara del Vallo due to World War II.

1945: At age five, Lando has his first taste of the stage in a production of "La Bohème".

1953: Lando moves to Rome at age eighteen to attend the Accademia d’arte drammatica “Pietro Sharoff”, against his father's wishes.

1955: Lando has a brief uncredited appearance in Dino Risi's film "Nel segno di Venere", meeting Vittorio De Sica for the first time.

1961: Lando gets his breakthrough role as Rosario Mulè in Pietro Germi's "Divorzio all’italiana".

1960s: Lando's success continues with notable roles in films like "Sedotta e abbandonata" (1964) and "Caccia alla volpe" (1966), directed by Pietro Germi and Vittorio De Sica, respectively. He also starts working in theater, starring in "Don Giovanni in Sicilia" (1967).

1960s-1970s: Lando becomes a prominent figure in commedia all'italiana, starring in many successful films. He becomes known for his "Latin lover" persona and his roles in comedic erotic films.

1971: Lando stars in the iconic film "Il merlo maschio", which satirizes the decline of the Italian male archetype.

1970s: Lando enjoys international success, with films like "L'Arbitro" performing exceptionally well in countries like Spain. He continues to work in theater, starring in and directing productions like "La zia di Carlo" and "La maschera e il volto".

1980s-1990s: Lando shifts his focus primarily to theater for nearly two decades. He stars in and directs numerous plays, including a critically acclaimed adaptation of Shakespeare's "The Taming of the Shrew" and Molière's "Don Giovanni."

1996: Lando hosts the radio variety show "Il Buffalmacco" on Rai2.

Late 1990s: Lando meets Sean Connery, forming a close friendship.

2000s: Lando returns to film and television, experiencing renewed popularity with roles in television series like "Mio figlio" (2005), which tackles the topic of homosexuality with sensitivity.

2010: Lando's wife passes away.

2012: Lando receives the Gay Village Award, recognizing his contribution to representing LGBTQ+ themes in Italian entertainment.

2013: Lando experiences a serious health scare, wrongly reported as a suicide attempt, leaving lasting physical and emotional effects.

2016: Lando meets Francesca della Valle while watching a film about Caravaggio. They begin a romantic relationship.

2017: Lando travels to Japan for the Rai2 reality show "Meglio tardi che mai". He also proposes to Francesca in Palermo.

2019: Lando's sons initiate legal proceedings against him, alleging mismanagement of his finances.

April 2021: Lando is hospitalized following what is reported as a "domestic accident". He is subsequently placed under the care of a court-appointed guardian (ADS) due to concerns about his cognitive abilities. Francesca is restricted from seeing him and communicating with him freely.

December 2021: Lando is transferred to a nursing home (RSA) against his wishes.

2022: Francesca launches a public campaign denouncing Lando's treatment, alleging abuse and violation of his rights. Professor Fulvio Tomaselli, Lando's longtime physician, joins the campaign. They face opposition and public scrutiny. The judge authorizes the sale of Lando's home to cover his care expenses, but he never returns to his house.

November 2022: Lando's health deteriorates further. He is transferred to a specialized medical facility following a fall.

December 2022: Lando Buzzanca passes away.

Post-2022: Francesca della Valle continues her fight for justice for Lando, raising awareness about the potential misuse of guardianship laws and advocating for the rights of individuals deemed vulnerable.

Cast of Characters

Lando Buzzanca: A celebrated Italian actor known for his comedic talent and charming personality, with a career spanning film, television, and theatre.

Francesca della Valle: Lando's partner in his later years, a journalist and TV personality. She becomes a fierce advocate for Lando's rights and autonomy after he is placed under guardianship.

Empedocle Buzzanca: Lando's father, a projectionist and stage lighting technician, initially disapproving of Lando's acting ambitions.

Francesca (mother): Lando's mother, described as beautiful and ethereal, raising a large family.

Pietro Germi: A prominent Italian director who played a significant role in shaping Lando's early film career, directing him in "Divorzio all’italiana" and "Sedotta e abbandonata".

Vittorio De Sica: A renowned Italian actor and director, known for his neorealist films. He directed Lando in "Caccia alla volpe" and they shared a complex, sometimes contentious relationship.

Sean Connery: Scottish actor, best known for his portrayal of James Bond, who became a close friend to Lando.

Professor Fulvio Tomaselli: Lando's trusted physician and friend, vocal about Lando's treatment and advocating for his well-being.

Lando's Sons: Two sons from his previous marriage, who take legal action against their father and manage his finances after their mother's death. They oppose Francesca and restrict her access to Lando.

Court-appointed Guardian (ADS): An individual appointed by the court to manage Lando's personal and financial affairs, limiting his autonomy and controlling his access to others.

Various Media Personalities: Television and print journalists who cover Lando's story, often sensationalizing the narrative and focusing on the age difference between him and Francesca.

This timeline and cast of characters provide a comprehensive overview of the key events and individuals involved in Lando Buzzanca's life, based on the provided text. The story highlights the challenges of aging, the complexities of family dynamics, and the potential for misuse of guardianship laws, raising important ethical and societal questions.

A Warrior for Freedom: Examining the Life and Legacy of Lando Buzzanca

Source: Lando Buzzanca, Amore Mio by Francesca della Valle

Part I: The Genesis of a Star

• Chapter 1: Lando Buzzanca, My Love (pg. 6) - Introduction to the book and the author's relationship with Lando Buzzanca. It emphasizes the book's origin as a response to the injustices Buzzanca faced at the end of his life and the need for legal reform to protect individual freedoms.
• Chapter 2: The First Time of Lando (pg. 6-7) - Explores Buzzanca's early life and his introduction to the stage. Highlights his passion for acting from a young age, his determination to pursue a career in theater, and his early success.
• Chapter 3: Affirming by Denying the Affirmation (pg. 9) - Delves into Buzzanca's comedic style, focusing on his use of irony as a tool for social commentary. It distinguishes irony from sarcasm, highlighting its intellectual and philosophical dimensions as exemplified by historical figures like Socrates and Buddha.

Part II: Rise to Stardom and the Golden Age of Italian Cinema

• Chapter 4: “Love is Paid With Love” (pg. 12) - Examines societal double standards surrounding age gaps in relationships, specifically concerning Buzzanca's relationship with the author. Critiques societal hypocrisy while celebrating evolving social norms in other areas.
• Chapter 5: The Scent of Success (pg. 13-14) - Chronicles Buzzanca's breakthrough in the Italian film industry during the 1960s. Details his collaboration with renowned director Pietro Germi and the impact of films like "Divorzio all'italiana" and "Sedotta e abbandonata" on his career.
• Chapter 6: Perhaps… (pg. 16) - Discusses Buzzanca's foray into television and his successful foray into variety shows. Highlights his ability to innovate and adapt to different mediums while maintaining his unique comedic style.

Part III: Behind the Persona: Lando, the Man

• Chapter 7: Private (pg. 19) - Addresses the public scrutiny and criticism surrounding Buzzanca's relationship with the author. Emphasizes their belief in the power of love and their resilience in the face of societal judgment.
• Chapter 8: The Look (pg. 19-20) - Explores the power of nonverbal communication, specifically focusing on the expressiveness of Buzzanca's eyes. Analyzes the nuances of human connection, distinguishing fleeting attraction from enduring love.
• Chapter 9: From Lando to Francesca (pg. 20-22) - Introduces the author's background, values, and motivations. Emphasizes her independent spirit, strong work ethic, and passion for culture and entertainment, drawing parallels to the social and cultural changes of the 1960s and 70s.
• Chapter 10: Returning to Lando (pg. 22) - Provides insights into the challenges and complexities of entering into a relationship with a public figure like Buzzanca. Touches upon the reactions of his female admirers and his commitment to their relationship.

Part IV: The Evolution of an Artist: Beyond Comedic Roles

• Chapter 11: In “Diva e Donna” - January 2019 (pg. 25-26) - Focuses on Buzzanca's career in the 1970s and his transition beyond comedic roles. Discusses his portrayal of satirical characters and his conscious decision to move away from the commedia all'italiana genre.
• Chapter 12: I Have Always Wondered... (pg. 28-29) - Explores the concept of cinematic masterpieces and the subjective nature of artistic evaluation. Critiques the misuse of the term "masterpiece" while highlighting Buzzanca's performance in "L'Arbitro" as an example of exceptional filmmaking.
• Chapter 13: Lando and Women (pg. 29-30) - Discusses Buzzanca's onscreen persona as a womanizer and how it contrasts with his real-life personality. Emphasizes his respect for women and his decision to move away from roles that objectified them.
• Chapter 14: The World of Women (pg. 30-31) - Offers a glimpse into the world of women who were captivated by Buzzanca's charm and talent. Hints at a history of romantic pursuits by notable women while highlighting Buzzanca's discernment in matters of the heart.
• Chapter 15: Speaking of Women: The Taming of the Shrew (pg. 31-32) - Examines Buzzanca's enduring success in portraying Petruchio in Shakespeare's "The Taming of the Shrew." Explores his ability to bring a modern sensibility to classical theater and the enduring appeal of the play's central theme of love conquering conflict.
• Chapter 16: Theater From the Eighties Onwards (pg. 32-33) - Traces Buzzanca's return to the stage and his successful theatrical career. Highlights his talent as a director and his ability to breathe new life into classic characters like Molière's Don Juan.

Part V: Lando's Heart: Family, Friends, and the Fight for Freedom

• Chapter 17: My Son (pg. 33-35) - Showcases Buzzanca's generosity and kindness towards his family and those in need. Underscores his challenging relationship with his sons and his unwavering support for his wife. Also touches upon his portrayal of a gay police officer in the TV series "Mio figlio," challenging societal stereotypes and showcasing his sensitivity towards diverse communities.
• Chapter 18: Diversity (pg. 35-36) - Debunks rumors about Buzzanca's alleged homophobia. Emphasizes his compassion and respect for all individuals regardless of their sexual orientation, and criticizes attempts to misrepresent his character.
• Chapter 19: …He Brought to the Screen… (pg. 39) - Highlights Buzzanca's versatility as an actor and his ability to transition from comedic roles to more dramatic and nuanced performances.
• Chapter 20: Encounters (pg. 39-41) - Discusses Buzzanca's relationships with his fellow actors and directors. Reveals his admiration for talents like Salvo Randone, Vittorio Gassman, and Alberto Sordi, while also providing anecdotes about his interactions with Vittorio De Sica, Dino Risi, and Ugo Tognazzi.
• Chapter 21: Lando Buzzanca, My Love (pg. 41) - Hints at a past romantic connection between Buzzanca and a renowned Italian actress. Acknowledges their mutual attraction while suggesting their decision to prioritize their careers and public image.
• Chapter 22: In 1972… (pg. 41-43) - Recounts missed opportunities in Buzzanca's international career, including a potential collaboration with Billy Wilder and Jack Lemmon. Shares anecdotes about his friendship with Sean Connery and their mutual respect and admiration.
• Chapter 23: …He Felt… (pg. 43) - Offers a glimpse into Buzzanca's personal life and his love for cooking. Reveals how cooking served as a means for him to reconnect with his past and share memories.
• Chapter 24: In Palermo… (pg. 44) - Documents the moment Buzzanca proposed to the author in front of his family and friends. Marks a significant milestone in their relationship and his commitment to their future together.
• Chapter 25: The “Maid” of Lando Buzzanca (pg. 44-45) - Describes the role of Buzzanca's housekeeper and her shifting loyalty after his relationship with the author. Reveals the complexities of personal dynamics within a household and the influence of external factors.

Part VI: Lando's Final Battle: The Fight Against Injustice

• Chapter 26: Accidents (pg. 45-46) - Details a significant health scare in Buzzanca's life and the misinterpretations surrounding it. Addresses the attempts to question his mental capacity and the challenges he faced due to public perception and media narratives.
• Chapter 27: Lando in the World (pg. 46-47) - Celebrates Buzzanca's international recognition and the global reach of his talent. Contrasts his appreciation abroad with the lack of proper acknowledgement in his home country, highlighting the complexities of artistic recognition and cultural appreciation.
• Chapter 28: …Although at the End… (pg. 47) - Examines the decline of Italian cinema in the late 1970s and its impact on Buzzanca's career. Analyzes his decision to focus on theater and his subsequent absence from film.
• Chapter 29: Lando Buzzanca, My Love (pg. 49) - Describes the profound impact of the author's presence on Buzzanca's life. Marks the end of his romantic involvement with other women and the beginning of their dedicated relationship.
• Chapter 30: Scent of Freedom (pg. 49-50) - Recounts the beginning of Buzzanca and the author's relationship. Highlights the serendipitous nature of their meeting and their immediate connection.
• Chapter 31: Lando and the God Complex (pg. 50-51) - Reflects on Buzzanca's inner strength and resilience in the face of personal challenges, particularly within his family dynamics. Explores his commitment to truth and authenticity, both in his personal life and his artistic choices.
• Chapter 32: Absent-Minded Elegance (pg. 51-53) - Delves into Buzzanca's personal style and meticulous attention to detail. Illustrates his refined taste and elegant approach to life.
• Chapter 33: First Capriccio Interview (pg. 53-57) - Provides a glimpse into Buzzanca's personal space and the memories it holds. Reveals his connection to his past work and the treasures he kept from his career.
• Chapter 34: SMS According to Lando (pg. 58-59) - Shares humorous anecdotes about Buzzanca's encounters with technology and the unexpected attention he received from fans online.
• Chapter 35: Interpretation Key (pg. 59-60) - Critiques the limitations of the Italian film industry and its tendency to rely on formulaic genres, hindering artistic exploration and the potential for actors to showcase their full range.
• Chapter 36: Misunderstood (pg. 60-61) - Reflects on the challenges and misinterpretations Buzzanca faced throughout his career. Addresses the mislabeling of his comedic style as "womanizing" and the limitations imposed by societal expectations and critical reception.
• Chapter 37: He Who Stops is Lost (pg. 61-62) - Recounts a pivotal moment in Buzzanca's later career, highlighting his unwavering self-respect and refusal to compromise his artistic integrity.
• Chapter 38: …Love Has a Thousand… (pg. 63) - Reaffirms the author's love for Buzzanca, emphasizing that their connection transcended age and societal expectations.
• Chapter 39: Beginning of the Ordeal (pg. 64-65) - Marks the beginning of a series of legal battles and personal struggles that Buzzanca faced at the end of his life. Introduces the concept of guardianship and the complexities surrounding it.
• Chapter 40: …From Being Admitted… (pg. 66-67) - Details the restrictions and isolation imposed on Buzzanca during his hospitalization and the violation of his basic rights. Highlights the author's fight for his freedom and her efforts to expose the injustice he faced.
• Chapter 41: Lando Was in a Facility… (pg. 68-69) - Exposes the financial exploitation that Buzzanca endured and the control exerted over his personal life. Emphasizes the lack of transparency and accountability in the guardianship system.
• Chapter 42: …I Had No Answers… (pg. 70) - Expresses the author's helplessness and frustration in the face of Buzzanca's suffering. Underscores the emotional toll of witnessing his deterioration and the powerlessness she felt in protecting him.
• Chapter 43: Story of an Announced Abuse (pg. 70-71) - Condemns the systemic abuse that Buzzanca faced under guardianship and the silencing of his voice. Highlights the author's determination to expose the truth and fight for his right to self-determination.
• Chapter 44: “Once Again… (pg. 71-72) - Recounts the legal maneuvers used to prevent Buzzanca's marriage to the author, demonstrating the manipulation and control exerted over his life.
• Chapter 45: …Lando Sent… (pg. 73-74) - Reveals the psychological manipulation and pressure exerted on Buzzanca to conform to the narrative constructed by his guardians.
• Chapter 46: It Seems Incredible… (pg. 75) - Reflects on the disbelief and shock that the author experienced as she navigated the complexities of Buzzanca's situation. Highlights the insidious nature of abuse and the difficulty in comprehending its full extent.
• Chapter 47: “He Used to Wait for Me… (pg. 76) - Depicts the author's unwavering commitment to Buzzanca and her efforts to maintain their connection despite the barriers imposed. Captures the emotional weight of their shared experience and the resilience of their love.
• Chapter 48: …In Italy… (pg. 77) - Critiques the limitations of Italian legal systems and the lack of protection for individuals in Buzzanca's situation.
• Chapter 49: The Filthy Gossip…and the Truth “Nemo” (pg. 77-78) - Addresses the public scrutiny and false narratives surrounding the author and Buzzanca's relationship. Emphasizes the author's fight for Buzzanca's dignity and her refusal to be silenced by gossip and slander.
• Chapter 50: …I Did Not Want a Euro… (pg. 78-79) - Reiterates the author's selfless dedication to Buzzanca's well-being. Emphasizes her motivations as stemming from love and concern, not financial gain.
• Chapter 51: Amidst All These Questions… (pg. 80) - Highlights the overwhelming complexity of Buzzanca's situation and the author's relentless pursuit of truth and justice.
• Chapter 52: NIHIL MIHI CONSCIO (pg. 80-82) - Expresses the author's unwavering sense of righteousness and lack of regret for her actions in defending Buzzanca. Emphasizes her commitment to fighting for what she believed was right.
• Chapter 53: They Always Come Back (pg. 82-84) - Depicts the ongoing legal and societal challenges that Buzzanca and the author faced. Criticizes the hypocrisy of the system and the lack of support for vulnerable individuals.
• Chapter 54: Lando Buzzanca, My Love (pg. 85) - Captures a tender moment between Buzzanca and the author shortly before his hospitalization. Serves as a poignant reminder of their love and shared moments of happiness.
• Chapter 55: “RSA” - As if There Were No Future (pg. 86-87) - Describes the dehumanizing conditions of the RSA facility where Buzzanca was placed. Highlights the author's shock and distress at witnessing his deterioration.
• Chapter 56: …From January 13… (pg. 87-88) - Documents the author's limited access to Buzzanca and the ongoing struggle to maintain contact. Emphasizes the emotional toll of their separation and the deterioration of his health.
• Chapter 57: They Always Come Back in Two (pg. 88-90) - Recounts the intrusive presence of the media and the author's efforts to protect Buzzanca from further exploitation. Highlights the ethical complexities of reporting on vulnerable individuals and the author's unwavering advocacy for Buzzanca's privacy.
• Chapter 58: …I Could Not Think of Anything Else (pg. 90-91) - Expresses the author's unwavering determination to seek justice for Buzzanca and expose the systemic abuse he endured. Underscores her fight against the normalization of such treatment and her efforts to protect others from similar experiences.
• Chapter 59: Lando Becomes the “Imaginary Patient” (pg. 91) - Critiques the medicalization of Buzzanca's situation and the creation of false diagnoses to justify his confinement.
• Chapter 60: Bare Ownership (pg. 91-92) - Exposes the financial exploitation that Buzzanca faced, specifically the unauthorized sale of his property. Highlights the power dynamics at play and the lack of transparency in the management of his assets.
• Chapter 61: It Is Sweet to Drown…in Your Eyes (pg. 92-93) - Captures the tenderness and love that persisted between Buzzanca and the author amidst their struggles. Emphasizes the enduring power of their connection and the importance of their shared moments.
• Chapter 62: Persecuted… (pg. 94) - Highlights the public scrutiny and criticism faced by those who supported Buzzanca and the author. Exposes the attempts to discredit their claims and silence their voices.
• Chapter 63: The Strength of Love That Is Life (pg. 94-96) - Expresses Buzzanca's yearning for freedom and his frustration at being denied his basic rights. Depicts the emotional toll of his confinement and the author's unwavering support.
• Chapter 64: This Is What You Breathed… (pg. 97-98) - Depicts the dehumanizing environment of the RSA facility and the lack of compassionate care provided to its residents.
• Chapter 65: Lando's Birthday (pg. 99-100) - Recounts the challenges and restrictions faced by Buzzanca's loved ones in attempting to celebrate his birthday. Highlights the author's persistence in maintaining contact and offering him moments of joy amidst his confinement.
• Chapter 66: …He Squeezed My Hand… (pg. 100-103) - Documents the author's growing concerns about Buzzanca's health and her determination to advocate for his well-being.
• Chapter 67: All the Press Picked up the Post… (pg. 103-105) - Describes the media frenzy surrounding Buzzanca's situation and the author's efforts to protect him from further exploitation. Critiques the sensationalization of his story and the focus on gossip rather than genuine concern for his well-being.
• Chapter 68: Open Letter to Lando Buzzanca - November 26, 2022 (pg. 106-108) - Includes a poignant letter from Dr. Tomaselli, Buzzanca's trusted physician, expressing his frustration at being denied access to his patient and his concerns about the deterioration of Buzzanca's health.
• Chapter 69: …Defined by Lando… (pg. 108-110) - Introduces a close friend of the author and Buzzanca who serves as a witness to their relationship and the challenges they faced.
• Chapter 70: …The Department Was Open… (pg. 110-112) - Recounts a visit to Buzzanca in the hospital, highlighting his improved condition and his unwavering love for the author.
• Chapter 71: …I Was Better… (pg. 112-114) - Expresses the author's relief at witnessing Buzzanca's improved health but also her growing unease at a sensed shift in his situation.
• Chapter 72: …I Challenge… (pg. 114-115) - Reveals the author's realization that Buzzanca was being transferred against his will and her frantic efforts to locate him.
• Chapter 73: Lando Buzzanca, My Love (pg. 115-116) - Documents the author's confrontation with hospital authorities and their attempts to conceal Buzzanca's whereabouts.
• Chapter 74: …Everything… (pg. 116-117) - Expresses the author's outrage at the injustice of Buzzanca's treatment and the systemic failure to protect his rights.
• Chapter 75: …It Had Been Done… (pg. 117) - Highlights the author's growing fear for Buzzanca's safety and the potential for further harm in the hands of those controlling his life.
• Chapter 76: …My Apprenticeship… (pg. 118-120) - Reflects on the author's personal and professional journey and the unexpected nature of her love for Buzzanca. Emphasizes his impact on her life and her unwavering commitment to fighting for his legacy.
• Chapter 77: …I Wonder… (pg. 120-121) - Addresses the author's resilience in the face of public scrutiny and the strength she derived from her love for Buzzanca.
• Chapter 78: Lando Buzzanca, My Love (pg. 121) - Depicts a heartwarming moment between Buzzanca, the author, and her father. Serves as a reminder of the love and support they shared.
• Chapter 79: Afterword by Professor Fulvio Tomaselli (pg. 122-124) - Includes an afterword by Dr. Tomaselli, offering his perspective on Buzzanca's life and the tragedy of his final years.

Conclusion

• Chapter 80: …I Often Watched Again… (pg. 124-126) - Dr. Tomaselli reflects on Buzzanca's enduring legacy as an actor and the impact he had on Italian cinema. He underscores Buzzanca's unique blend of humor and depth, using his life as a lens to examine broader societal issues surrounding ageism, guardianship, and the abuse of power.

Lando Buzzanca: A Deep Dive into Life, Love, and Legacy

Short-Answer Questions Quiz

Instructions: Answer the following questions in 2-3 sentences each.

1. What criticism does the author Francesca della Valle level against the application of Law 6/2004 in Italy?
2. How does della Valle describe the impact of Lando Buzzanca’s childhood experience in the “Bohème” on his future career aspirations?
3. According to the text, what distinguishes irony from sarcasm in the context of Lando Buzzanca's comedic style?
4. What social critique does della Valle make in comparing societal acceptance of various modern trends with the judgment often directed at age gap relationships?
5. Describe the significance of Pietro Germi’s role in shaping Lando Buzzanca's early film career.
6. What specific example does della Valle provide to illustrate Lando Buzzanca's international success as an actor?
7. How does the author characterize the public’s misinterpretation of the film “Il merlo maschio” and its portrayal of masculinity?
8. What reasons does Buzzanca himself give for transitioning away from the comedic erotic genre in his film career?
9. How does della Valle connect her own personal and professional development to the legacy of prominent female figures in Italian history?
10. Based on the text, what evidence contradicts the allegations of Lando Buzzanca harboring hostility towards homosexual individuals?

Short-Answer Quiz Answer Key

1. Della Valle criticizes the application of Law 6/2004 for being overly restrictive and violating basic human rights, particularly the right to self-determination, as seen in Lando Buzzanca’s case where it was used to control his life choices.
2. Della Valle portrays Buzzanca’s childhood performance in the “Bohème” as a foundational moment where his love for the stage ignited, showcasing his natural talent and foreshadowing his future dedication to the performing arts.
3. The text highlights that Buzzanca’s comedic style relied on irony, which invites the audience to laugh along with him, rather than sarcasm which aims to mock or deride its target.
4. Della Valle critiques the hypocrisy of Italian society which embraces progressive concepts like same-sex relationships and diverse family structures while remaining judgmental towards age gap relationships, highlighting a societal inconsistency in applying liberal values.
5. Pietro Germi was instrumental in launching Buzzanca’s film career by casting him in pivotal roles in “Divorzio all’italiana” and “Sedotta e abbandonata,” showcasing his talent and establishing him as a prominent figure in Italian cinema.
6. The text cites the immense success of Buzzanca’s film “L’Arbitro” in Spain, where it remained in theaters for a year, as a testament to his international appeal and recognition beyond Italy.
7. The author argues that the public misinterpreted “Il merlo maschio,” mistaking the protagonist's failure and eventual breakdown as a symbol of virility, failing to grasp the film’s satirical commentary on traditional masculine ideals.
8. Buzzanca states that he moved away from the comedic erotic genre because he grew tired of playing stereotypical "puppet" characters and sought to portray more complex and human roles that resonated with him on a deeper level.
9. Della Valle connects her own drive for intellectual and professional accomplishment to the legacy of strong, intelligent women in Italian history, such as Rita Levi-Montalcini and Maria Montessori, drawing inspiration from their achievements in a male-dominated society.
10. The text refutes accusations of Buzzanca’s homophobia by highlighting his starring role in the groundbreaking film “Mio figlio,” which sensitively portrayed a father-son relationship where the son is gay, and his receiving the "Gay Village Award" in 2012.

Essay Questions

1. 
   
2. Analyze the author's portrayal of Lando Buzzanca's acting style and how it evolved throughout his career. Consider his comedic techniques, choice of roles, and the social commentary embedded in his work.
3. Francesca della Valle presents a critical perspective on Italian society’s embrace of certain progressive values while simultaneously displaying resistance to others, particularly regarding age gap relationships. Discuss her arguments and evaluate their validity based on the text and your own understanding of contemporary Italian society.
4. Explore the significance of the title "Lando Buzzanca, Amore Mio" and how it shapes the narrative structure and tone of the text. Consider the author’s personal relationship with Buzzanca and how it influences her portrayal of his life and legacy.
5. Based on the text, analyze the impact of Law 6/2004 on Lando Buzzanca's life and the author's critique of its application. Discuss the ethical implications of legal guardianship and the potential for abuse of power as depicted in the narrative.
6. Examine the author’s efforts to combat the negative media portrayal of her relationship with Lando Buzzanca and the public's perception of their age difference. Discuss the role of gossip and sensationalism in celebrity culture and the challenges of maintaining personal privacy in the face of intense media scrutiny.

Glossary of Key Terms

Law 6/2004: Italian legislation concerning the support of adults deemed incapable of managing their own affairs, often referred to as “Amministrazione di Sostegno” (ADS).

Amministratore di Sostegno (ADS): A legal guardian appointed by the court to manage the affairs of an individual deemed incapable, as per Law 6/2004.

RSA: Residenza Sanitaria Assistenziale, a type of nursing home in Italy providing long-term care for individuals with varying levels of dependency.

Comédie érotique: A film genre popular in the 1970s, often characterized by comedic plots centered around sexual themes and situations.

Neorealism: An Italian film movement that emerged after World War II, known for its focus on social realism, documentary-style filmmaking, and non-professional actors.

Sprezzatura: A concept from Baldassare Castiglione’s “The Book of the Courtier,” referring to a seemingly effortless grace and nonchalance in behavior and appearance.

Nihil Mihi Conscio: A Latin phrase from Horace’s “Epistles,” meaning “I am conscious of no fault, I have no remorse,” representing a clear conscience.

CTU: Consulente Tecnico d'Ufficio, a court-appointed expert who provides technical advice and assessments in legal proceedings.

“Malato Immaginato”: A reference to Molière's play “The Imaginary Invalid,” implying that someone is feigning illness or exaggerating their condition.

Nuda Proprietà: In Italian law, refers to the ownership of a property without the right to use or occupy it. The right to use is granted to another party (usufrutto).

FAQ: Lando Buzzanca and the Issue of Guardianship

1. Who was Lando Buzzanca and what was he known for?

Lando Buzzanca was a renowned Italian actor celebrated for his comedic and dramatic roles in over 150 films. He was particularly famous for his comedic timing and ability to portray characters that resonated with the Italian public. He was also a successful theater actor and director.

2. What personal challenges did Lando Buzzanca face in his later years?

After the death of his wife in 2010, Buzzanca began a relationship with Francesca della Valle, a journalist significantly younger than him. This relationship faced public scrutiny and criticism due to their age difference. In 2013, he suffered a serious health scare, and in the following years, his sons raised concerns about his well-being and financial management.

3. What was the role of the guardianship law (Law 6/2004) in Lando Buzzanca's life?

In 2019, Buzzanca's sons successfully petitioned the court to appoint a legal guardian (ADS - Amministratore di Sostegno) for their father under Law 6/2004. This law, intended to protect vulnerable individuals, granted the guardian control over Buzzanca’s personal and financial affairs.

4. What were the main points of contention surrounding Lando Buzzanca's guardianship?

Francesca della Valle, Buzzanca's partner, vehemently opposed the guardianship, arguing that it was unnecessary and infringed on his right to self-determination. She claimed that Buzzanca was lucid and capable of making his own decisions, including the decision to marry her.

5. What were Francesca della Valle’s criticisms of the legal guardian and the guardianship system?

Della Valle accused the guardian of isolating Buzzanca from her and his friends, preventing him from returning to his own home, and disregarding his wishes. She criticized the broader guardianship system in Italy, arguing that it was easily manipulated and often resulted in the institutionalization of individuals who could otherwise live independently with proper support.

6. What were the public reactions to Lando Buzzanca's situation?

Buzzanca’s story garnered significant media attention, sparking debate about guardianship laws and the rights of individuals, especially those in the public eye. Some segments of the media focused on sensationalizing the age gap between Buzzanca and della Valle, often portraying their relationship in a negative light.

7. What was the ultimate outcome of Lando Buzzanca's guardianship?

Despite della Valle’s efforts and public outcry, the guardianship remained in place. Buzzanca was eventually placed in an RSA (Residenza Sanitaria Assistenziale), a long-term care facility, against his stated wishes. He passed away in December 2022.

8. What are the broader implications of Lando Buzzanca's story?

Buzzanca's case highlights the potential for abuse within guardianship systems, raising concerns about the balance between protecting vulnerable individuals and respecting their autonomy. It also underscores the need for careful consideration of individual circumstances and wishes, particularly in cases where there are conflicting opinions about an individual's capacity to make decisions.